Thursday, April 12, 2012
Le Pas Du Chat Noir
Le Pas Du Chat Noir / french accordion SAVE PRICES & REVIEW ONLINE...
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Genre: World Music
Media Format: Compact Disk
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Release Date: 27-AUG-2002.../ Le Pas Du Chat Noir / french accordion
The Tunisian oud master Anouar Brahem has chosen to work in a trio setting this time out, accompanied by Francois Couturier on piano and Jean-Louis Matinier on accordion. Brahem states in the liner notes that these pieces were actually composed on the piano, emerging while he was taking a much-needed short break from his primary instrument. While Pas de Chat Noir ("The Black Cat's Footsteps") is a change of pace, it is a not a terribly remote detour. Brahem is still in his favorite space, exploring the power of implication, and the other players are in synch with his vision. All three participants sound muted, relating to one another in parallels rather than in a heated dialogue. The result is a spacious, romantic pastiche of Farid El-Atrache, Astor Piazzolla, Keith Jarrett, 19th- and 20th-century French impressionists (especially Eric Satie), plus shades of every strung-out, enervated, after-hours nightclub jam that ever was. --Christina Roden.../ Le Pas Du Chat Noir / french accordion
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Product Brand : BRAHEM,ANOUAR
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MUSIQUE SANS FRONTIÈRES : Le Pas Du Chat Noir
Anouar Brahem is an artist of incredible vision and talent - each one of his releases is a sonic and cultural delight, taking the listener on a journey filled with wonder and beauty. This, his latest recording, is one of his best. In the notes to the CD, Brahem is quotes as saying that after recording his THIMAR album, the resulting physical and artistic exhaustion caused him to set aside his oud for a while - something he said he had never before done. Turning his musical ideas and expression to his piano, Brahem created the pieces recorded here. When he took these ideas into the studio (and taking his oud along with him), along with colleagues Fran�ois Coutourier (piano) and Jean-Louis Matinier (accordion), his ideas were brought beautifully to fruition. The result is one of the most beautiful recordings I have ever heard.
The pieces having been written on the piano, that instrument takes the lead - but the oud and the accordion have a lot to say as well, and their voices blend effortlessly with that of the keyboard. Brahem is a master not only at composition and performing, but, in his arrangements, and in the very choosing of his accompanying musicians, shows a brilliance that is breathtaking. Through the various groupings that he has assembled on his recordings, he endows his music with a strength and scope that is stunning - it takes on a life of its own, and grows far beyond whatever boundaries smaller minds might employ to contain it by definition.
This is `world music' in the deepest, spiritual sense of the phrase - political frontiers are vanquished and erased, while cultures are honored, respected and mingled. Few other contemporary artists come to mind who continually create on this level - Stephan Micus is one. Brahem's last album, ASTRAKAN CAFÉ, alluded to this meeting and convergence of styles - with each successive release, Brahem furthers his cause (and that of the open-minded, eager-to-explore listener). Each and every track included here is an absolute gem. Don't approach this album with the expectations of hearing another outing in which Brahem `simply' dazzles the listener with the beauty and technique of his oud playing (and he is a master of that instrument, let there be no doubt of that...) - approach it instead with an open mind and ear, and marvel at the journey on which you are to be led.
This is an absolutely essential recording.
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